Dialogue :- It Represents Idea Of Approach To Speak And Tell Your Feel And Express Them To Make Others To Understand More On Which You Are Willing To Tell Or Mobilize Or Speak And Complete The Mood Of Action By Telling A Dialogue.  Below Is The Example Of Legend Bollywood Actor Who Emphasis His Ideology Of Dialogue Delivered By Him In His Movies And Renamed Him As A Angry Young Man Image.

  1. A lot of emphasis is being given on writers and writing and megastar Amitabh Bachchan too feels that the true actors of any film are its script and dialogues.
  2. “We do believe script, dialogue and screenplay writers are true actors of a film. Follow them diligently, and you cannot go wrong,” the 69-year-old tweeted.
  3. Talking about his success, Amitabh thanked scriptwriter duo Salim Khan and Javed Akhtar, for giving him his Angry Young Man image with movies like Zanjeer, Deewar and Sholay.
  4. “Narration by Salim-Javed on all my scripts they wrote, did 90 percent of the job for him.
  • A discussion between two or more people or groups, especially one directed towards exploration of a particular subject or resolution of a problem:Take part in a conversation or discussion to resolve a problem: we state that it wasn’t going to dialogue with the guerrillas, A discussion in which each party is unresponsive to what the others say.
  • In its beginning, dialogue‘s the easiest thing in the world to write when you have a good ear, which we think we have. But as it goes on, it’s the most difficult, because it has so many ways to function. Sometimes we need a speech to do three or four or five things at once–reveal what the character said but also what we thought he said, what he hid, what others were going to think he meant, and what they misunderstood, and so forth–all in his single.

Dialogue Also Represents :- The things that are said by the characters in a story, movie, play, etc…   “A discussion or series of discussions that two groups or countries have in order to end a disagreement And a conversation between two or more people

  • Dialogue vs. Talk
    “The dialogue is selective–finely polished, and arranged to convey the greatest possible amount of meaning with the least use of words. . . . [Dialogue] is not a phonographic reproduction of the way people actually talk. It’s the way they would talk if they had time to get down to it and refine what they wanted to say.””Talk is repetitive, full of rambling, incomplete, or run-on sentences, and usually contains a lot of unnecessary words. Most answers contain echoes of the question. Our speech is full of such echoes.
  • Dialogue, contrary to popular view, is not a recording of actual speech; it is a semblance of speech, an invented language of exchanges that build in tempo or content toward climaxes. Some people mistakenly believe that all a writer has to do is turn on a tape recorder to capture dialogue. What he’d be capturing is the same boring speech patterns the poor court reporter has to record verbatim. Learning the new language of dialogue is as complex as learning any new language.”
  • Advice on Writing Dialogue
    “There are a number of things that help when you sit down to write dialogue. First of all, sound your words–read them out loud. . . . This is something you have to practice, doing it over and over and over. Then when you’re out in the world–that is, not at your desk–and you hear people talking, you’ll find yourself editing their dialogue, playing with it, seeing in your mind’s eye what it would look like on the page. You listen to how people really talk, and then learn little by little to take someone’s five-minute speech and make it one sentence, without losing anything.”
  • Always get to the dialogue as soon as possible. I always feel the thing to go for is speed. Nothing puts the reader off more than a big slab of prose at the start.” “Just as in fiction, in nonfiction dialogue–voices talking out loud on the page–accomplishes several important dramatic effects: It reveals personality, provides tension, moves the story along from one point to another, and breaks the monotony of the narrator’s voice by interjecting other voices that speak in contrasting tones, using different vocabularies and cadences.
  • “Good dialogue lends texture to a story, the sense that it is not all one slick surface. This is especially important in a blatantly first-person narrative, since it offers the reader relief from a single, narrow viewpoint. The voices in dialogue can enhance or contradict the narrator’s voice and contribute irony, often through humor.”